But if you're in a hurry to fire off a shot quickly, this is not the camera for you. Shot to shot, the Sony HX was about average for the class. I averaged cycle times of about 1 to 1.
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The Sony HX does offer rapid-fire, 10 frames-per-second full-resolution burst shooting mode, but after you fire off a round of 10 shots, the camera takes a couple of seconds to store them before you can shoot again. This makes the burst function less useful for tracking and capturing fast action sports, which is a pity because the long zoom helps you isolate players from a distance.
And, if sports photography is your thing, you should probably invest in a DSLR. The HX menus feel sluggish and involve lots of scrolling through options. I've always found Sony's menu systems on its consumer cameras to be confusing and out-of-date, and it's the same case with the HX Checking settings is a slow process -- scrolling through options and modes was sluggish and buttons were not quick to respond -- and the set-up, mentioned earlier, of having the HX's jog dial on back of the camera serve as a button, was also painfully slow to use.
Image quality. With the previous model, we felt that Don't get me wrong: I took a few photos with the Sony HX, which were among my favorites of the year, such the traffic light image and some of the shots from Summer Streets. But these choice shots were thanks to the camera's wide zoom range offering me so many compositional options. This was especially true in my zoomed-in shots, which had a noticeable softness all around, coming from a combination of a lens that was not particularly sharp at full tele, and the small image sensor that didn't capture images with much crispness.
Skin tones also looked oversaturated, pink-ish, and not very natural looking. Though the Sony HX can shoot above ISO , it does so by firing off several images at once, which are then combined into one. The noise has been tamped down somewhat in the HX's extended ISO settings, but images captured at ISO and especially at ISO 12, had detail that was extremely smeared and blotchy, making photos at this level look like surreal paintings. Of course, I'm being a bit hard on the Sony HX's image quality.
Like I said, it offers many tools for capturing great photos -- the megazoom alone is worth the camera's pricetag -- so there will be, of course, some trade-offs. This isn't the camera, however, that I'd turn to for any challenging shooting conditions. In addition to its poor low-light performance, dynamic range was only so-so. As evidence, look at the shots of the jump-rope team in my Sony HX gallery , where there is very little discernable detail in the performers' black leggings. Video Quality. The Sony HX is a fine, all-in-one video camera, with its wide zoom range making it quite versatile for a number of shooting situations.
If you want to shoot movies in MPEG4 MP4 , which I find more flexible, you can choose that format, but recording is only available at 30p. The Sony HX's video quality ran parallel to its still image quality, good in decent light but somewhat noisy under tougher conditions. Though, I have to admit, I'm more forgiving with noise in video footage than for still photos.
Sony Cyber-shot HX300
For most photographers who are just starting to explore shooting in HD, the HX is a good introductory video camera, with its long zoom lens a great tool for getting a range of footage. While shooting video of a band playing ragtime music as it walked through a crowd during Summers Streets, I was easily able to track the action in wide-angle, and then silently zoom in on members of the crowd as the musicians passed them. Also, there was very little of the wobbly "rolling shutter" we see from some cameras with the Sony HX, when I panned quickly while capturing footage of someone riding down the zip line.
I primarily shot in MPEG-4 at 30p, which presents some challenges for very fast action. For instance, while shooting video of the jump rope crew doing some twin-rope "double dutch" maneuvers, the footage I captured of the fast-moving ropes looked laggy, with some artifacting. On the other hand, the Sony HX's Active SteadyShot movie stabilizer did a good job of keeping my HD footage steady, even when zoomed in with the telephoto.
Sony CyberShot DSC-HX300 Bridge Camera Price in India
As far as superzoom "bridge" cameras go, you can't get much more zoom reach than you do from the Sony HX If you're looking for a great, all-in-one megazoom to take on your next trip, you can't do much better than the Sony HX The mosaic crop from the HX looks ever-so-slightly better than the HXV as does the fabric crop. The default level of noise reduction looks to be pretty heavy even at base ISO on both cameras, as it's noticeable in shadows and smooth surfaces in the bottle crops. The battle of the 50x superzooms! The HX does better with fine detail, although the SX50 still does well here.
Sony Cyber-shot DSC-HX review: Very fine point-and-shoot with a 50x zoom lens - CNET
The Canon does better in the red fabric, however, while the Sony does better with the pink. Like the previous comparison, these two cameras struggle with fine detail at this ISO level. Images at wider angle look a bit sharper than those at the telephoto end of the 50x optical zoom range.
Sony implements two types of digital zoom: a standard digital zoom and their "Clear Image Zoom. Regular digital zoom does much the same, but without the benefit of pattern matching, and so it's softer. By combining both digital zoom options with the 50x optical zoom, the HX is capable of an overall x zoom, and we were surprised at the detail captured with this extreme telephoto reach.
Sharpness : The Sony HX's zoom shows a fair amount of blurring in the corners of the frame compared to the center at maximum aperture. At the tele end, it becomes softer in the center than at the wide end. Chromatic Aberration : Chromatic aberration throughout the zoom range on the Sony HX is fairly well-controlled. While there is ever so slightly more in the corners at the wide end, there is practically none once it's zoomed to full tele. Macro : The Sony HX doesn't have a dedicated macro mode, but it does focus down to as close as 0.
In fact, in Intelligent Auto mode, the camera will detect close focusing and call it "Macro" mode. The 0. Minimum coverage area is 1.
The camera's flash is almost entirely blocked by the large lens at this range, resulting in a strong shadow across the frame. Thus, external lighting will be your best bet when shooting this close.
That's a little slower than average for its class. Shutter Lag : Full autofocus shutter lag is about average for a long-zoom at 0. Prefocused shutter lag is 0. Flash Recycle : The Sony HX's flash recycles in about seven seconds after a full-power discharge, which is pretty slow. There are visible noise reduction artifacts however, especially in the shadows and on smoother, background areas. This seems odd for such a low ISO sensitivity, but the default level of noise reduction appears to be quite strong. Up close, a 20 x 30 inch print would be acceptable for wall display, but any print size larger appears a little on the soft side.
ISO images look good up to 13 x 19 inches. The prints are ever-so-slightly noisier and less detailed than the lower sensitivity levels, but overall at this print size it's not very noticeable. ISO allows for prints up to 11 x 14 inches, although that's a difficult call, as the prints are right on the cusp of being a bit too soft and lacking in fine detail.
However, the colors look good, and from a comfortable arms-length viewing distance, prints of this size still look pleasing. ISO images look good at 8 x 10 inches. The high ISO noise is noticeable in the shadows, and is really noticeable in larger print sizes. ISO makes an acceptable 5 x 7 inch print, but fine detail is pretty sparse and noise is definitely an issue, preventing us from calling anything larger OK.
The colors, however, looks decent for this sensitivity given the camera's smaller sensor. For ISO , a 5 x 7 might be acceptable for less critical applications, but it's a bit too soft for us to call it at that size. The Sony HX is a pretty solid performer for a small-sensor, superzoom camera. It displays typical results for prints compared to other superzoom cameras, producing good 16 x inch prints at low ISOs, and a usable 4 x 6 at ISO and At prints sizes of 8 x 10 or smaller, the HX does a nice job with good fine detail and pleasing colors though we did see some strong noise reduction artifacts at the low ISO sensitivities in the shadows , but it's only when you reach ISO and higher that the print quality starts to degrade.udidunynarip.tk
Sony Cyber-shot DSC-HX300 Repair
As we felt with its predecessor, the Sony HXV, we think the Sony HX's strengths far outweigh its limitations, making this all-in-one superzoom a solid option for anyone who wants a camera to do a little bit of everything. The HX's 50x optical zoom lens is a huge upgrade and an incredible tool, offering ,mm equivalent coverage. It's extremely versatile, allowing users to photograph a wide range of subjects, from close-ups of people riding a faraway zip-line to wide-angle shots of cityscapes.
The HX handled these photo tasks smoothly and efficiently. Unless you're willing to pay tens of thousands of dollars for DSLR lenses, there are few alternatives that can do what the Sony HX can do, especially for such a relatively low pricetag. About those limitations: Though the added resolution from the HX's This was particularly true of higher ISO images, which demonstrated considerable noise. Feature-wise, Sony has also removed a few functions with this camera that were available on the previous model, such as built-in GPS and the electronic viewfinder's eye-detect function.
And we were a bit disappointed that the 3-inch, fold-out LCD screen and small EVF weren't upgraded from the previous model. Having said all that, we still found the Sony HX a ton of fun to use; it even helped our reviewer capture some of his favorite images of the year -- some he couldn't have captured with many other cameras. The bottom line is that you just can't beat the versatility of a 50x zoom lens in a camera that's small enough to take with you everywhere. While its about the size of a small DSLR -- and slightly bigger and heavier than the previous model -- the Sony HX felt very comfortable in the hand, and light enough that it never weighed us down.
The HX's HD video mode is also nice and handy, letting us shoot high-quality clips in good light with just the touch of a well-placed button on back of the camera. While there are some definite trade-offs with a superzoom camera, the power of the HX's incredible 50x reach plus a host of solid features earns it a nod from us as a solid Dave's Pick.